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dc.contributor.authorKrylova, Katya
dc.date.accessioned2018-02-12T16:32:06Z
dc.date.available2018-02-12T16:32:06Z
dc.date.issued2013
dc.identifier.citationKrylova , K 2013 , ' Hofmannsthal and “die göttliche Briehl” ' Studia austriaca , vol. 21 , pp. 117-130 . DOI: 10.13130/1593-2508/3025en
dc.identifier.issn2385-2925
dc.identifier.otherPURE: 114603321
dc.identifier.otherPURE UUID: 82bab710-02ff-425f-89f7-1e2f11a9cb69
dc.identifier.urihttp://hdl.handle.net/2164/10033
dc.descriptionThis article was conceived during a period of employment at the Ludwig Boltzmann Institute for the History and Theory of Biography in Vienna. I am grateful to my colleagues at the Institute and to the Freies Deutsches Hochstift in Frankfurt am Main for their advice and assistance with archival sources.en
dc.format.extent14en
dc.language.isoeng
dc.relation.ispartofStudia austriacaen
dc.rightsStudia austriaca by http://riviste.unimi.it/index.php/StudiaAustriaca/ is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. https://creativecommons.org/licenses/by-nc-nd/3.0/en
dc.subjectN Visual arts (General) For photography, see TRen
dc.subject.lccN1en
dc.titleHofmannsthal and “die göttliche Briehl”en
dc.typeJournal articleen
dc.contributor.institutionUniversity of Aberdeen, Film & Visual Cultureen
dc.contributor.institutionUniversity of Aberdeen, Germanen
dc.description.statusPeer revieweden
dc.description.versionPublisher PDFen
dc.identifier.doihttps://doi.org/10.13130/1593-2508/3025


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