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dc.contributor.authorMathias, Manon
dc.date.accessioned2018-01-02T00:57:11Z
dc.date.available2018-01-02T00:57:11Z
dc.date.issued2016-01
dc.identifier.citationMathias , M 2016 , ' L’esprit, le cœur et les bras’ : Rethinking Art as Labour in George Sand ' Modern Language Review , vol. 111 , no. 1 , pp. 104-120 . https://doi.org/10.5699/modelangrevi.111.1.0104en
dc.identifier.issn0026-7937
dc.identifier.otherPURE: 50842000
dc.identifier.otherPURE UUID: 620aa294-f7fb-424a-97d5-6b45eadb263f
dc.identifier.otherScopus: 84999266690
dc.identifier.urihttp://hdl.handle.net/2164/9843
dc.descriptionDate of Acceptance: 13/04/2015en
dc.format.extent17en
dc.language.isoeng
dc.relation.ispartofModern Language Reviewen
dc.subjectP Language and Literatureen
dc.subject.lccPen
dc.titleL’esprit, le cœur et les bras’ : Rethinking Art as Labour in George Sanden
dc.typeJournal articleen
dc.contributor.institutionUniversity of Aberdeen, Frenchen
dc.description.statusPeer revieweden
dc.description.versionPostprinten
dc.identifier.doihttps://doi.org/10.5699/modelangrevi.111.1.0104
dc.date.embargoedUntil01-01-20


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