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dc.contributor.authorMacpherson, Alan
dc.date.accessioned2018-07-30T14:23:11Z
dc.date.available2018-07-30T14:23:11Z
dc.date.issued2018-05-01
dc.identifier.citationMacpherson , A 2018 , ' Art, Trees, and the Enchantment of the Anthropocene: Caroline Wendling's White Wood ' , Environmental Humanities , vol. 10 , no. 1 , pp. 241-256 . https://doi.org/10.1215/22011919-4385552en
dc.identifier.issn2201-1919
dc.identifier.otherPURE: 129700018
dc.identifier.otherPURE UUID: 1dd1b0be-589a-4bcf-976a-b1c04304c02e
dc.identifier.urihttp://hdl.handle.net/2164/10830
dc.descriptionI would like to thank Caroline Wendling for her generosity in communication; the Arts and Humanities Research Council, UK, without whose support this article could not have been written; and the anonymous reviewers for their insightful direction.en
dc.format.extent16
dc.language.isoeng
dc.relation.ispartofEnvironmental Humanitiesen
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0/en
dc.subjectenchantmenten
dc.subjectAnthropoceneen
dc.subjectthe meshen
dc.subjectparticipationen
dc.subjectsocial sculptureen
dc.subjectregenerationen
dc.subjectH Social Sciencesen
dc.subjectArts & Humanities Research Council (AHRC)en
dc.subject.lccHen
dc.titleArt, Trees, and the Enchantment of the Anthropocene: Caroline Wendling's White Wooden
dc.typeJournal articleen
dc.contributor.institutionUniversity of Aberdeen.Film & Visual Cultureen
dc.description.statusPeer revieweden
dc.description.versionPublisher PDFen
dc.identifier.doihttps://doi.org/10.1215/22011919-4385552


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