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dc.contributor.authorMacHin-Autenrieth, Matthew
dc.date.accessioned2020-07-29T16:10:00Z
dc.date.available2020-07-29T16:10:00Z
dc.date.issued2017-02-21
dc.identifier.citationMacHin-Autenrieth , M 2017 , ' The Zambra, Tourism and Discourses of Authenticity in Granada’s Flamenco Scene ' , MUSICultures , vol. 43 , no. 2 , pp. 157-179 . < https://journals.lib.unb.ca/index.php/MC/article/view/25479 >en
dc.identifier.issn1920-4213
dc.identifier.otherPURE: 171276680
dc.identifier.otherPURE UUID: 14f423f2-d90c-48b1-9f4e-1bade6d38b79
dc.identifier.urihttps://hdl.handle.net/2164/14810
dc.format.extent23
dc.language.isoeng
dc.relation.ispartofMUSICulturesen
dc.subjectM Musicen
dc.subject.lccM1en
dc.titleThe Zambra, Tourism and Discourses of Authenticity in Granada’s Flamenco Sceneen
dc.typeJournal articleen
dc.contributor.institutionUniversity of Aberdeen.Musicen
dc.description.statusPeer revieweden
dc.description.versionPublisher PDFen
dc.identifier.urlhttps://journals.lib.unb.ca/index.php/MC/article/view/25479en
dc.identifier.vol43en
dc.identifier.iss2en


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