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dc.contributor.authorPierce, Helen
dc.date.accessioned2021-03-24T21:32:01Z
dc.date.available2021-03-24T21:32:01Z
dc.date.issued2020-06-30
dc.identifier.citationPierce , H 2020 , ' The Bold Adventure of All : Reconstructing the Place of Portraits in Interregnum England ' , British Art Studies , no. 16 . https://doi.org/10.17658/issn.2058-5462/issue-16/hpierce/001en
dc.identifier.otherPURE: 154657743
dc.identifier.otherPURE UUID: 0230e0cd-43bc-4c3e-84aa-c1876104b2e6
dc.identifier.otherORCID: /0000-0003-3272-6714/work/95579340
dc.identifier.urihttps://hdl.handle.net/2164/16119
dc.descriptionAcknowledgementsDOI I am grateful to the Paul Mellon Centre for Studies in British Art, and the School of Divinity, History and Philosophy at the University of Aberdeen, for providing funding which enabled my initial research for this article. Many thanks must also go to the audiences at research papers delivered at the Universities of Glasgow and Aberdeen, for their constructive feedback on earlier versions of this article, and suggestions on all things Interregnum.en
dc.format.extent34
dc.language.isoeng
dc.relation.ispartofBritish Art Studiesen
dc.rightsLicence CC BY-NC International 4.0 https://creativecommons.org/licenses/by-nc/4.0/en
dc.subjectN Fine Artsen
dc.subject.lccNen
dc.titleThe Bold Adventure of All : Reconstructing the Place of Portraits in Interregnum Englanden
dc.typeJournal articleen
dc.contributor.institutionUniversity of Aberdeen.Art Historyen
dc.contributor.institutionUniversity of Aberdeen.History (Research Theme)en
dc.description.statusPeer revieweden
dc.description.versionPublisher PDFen
dc.identifier.doihttps://doi.org/10.17658/issn.2058-5462/issue-16/hpierce/001


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