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dc.contributor.authorForner, Jane
dc.date.accessioned2021-07-01T14:15:00Z
dc.date.available2021-07-01T14:15:00Z
dc.date.issued2018-04-01
dc.identifier.citationForner , J 2018 , ' Review of Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance. ' , Current Musicology , no. 102 , pp. 273-280 . https://doi.org/10.7916/d8-0bsc-r397en
dc.identifier.issn0011-3735
dc.identifier.otherPURE: 179468818
dc.identifier.otherPURE UUID: d89f66b2-3dec-46d8-9e6b-05d3a221223e
dc.identifier.otherORCID: /0000-0002-5283-9938/work/81707651
dc.identifier.urihttps://hdl.handle.net/2164/16763
dc.format.extent8
dc.language.isoeng
dc.relation.ispartofCurrent Musicologyen
dc.rights© 2018 Forner. This is an open access article distributed under the terms of the Creative Commons-Attribution-NonCommercial-NoDerivatives License (CC BY-NC-ND). https://creativecommons.org/licenses/by-nc-nd/4.0/en
dc.subjectM Music and Books on Musicen
dc.subject.lccMen
dc.titleReview of Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance.en
dc.typeJournal itemen
dc.contributor.institutionUniversity of Aberdeen.Musicen
dc.description.statusPeer revieweden
dc.description.versionPublisher PDFen
dc.identifier.doihttps://doi.org/10.7916/d8-0bsc-r397
dc.identifier.urlhttps://academiccommons.columbia.edu/doi/10.7916/d8-0bsc-r397en


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