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dc.contributor.authorWelch, Edward
dc.date.accessioned2013-12-06T12:20:01Z
dc.date.available2013-12-06T12:20:01Z
dc.date.issued2009-06
dc.identifier.citationWelch , E 2009 , ' Stars of CCTV : Technology, visibility and identity in the work of Sophie Calle and Annie Ernaux ' , Nottingham French Studies , vol. 48 , no. 2 , pp. 55-67 . https://doi.org/10.3366/nfs.2009-2.007en
dc.identifier.issn0029-4586
dc.identifier.otherPURE: 27329209
dc.identifier.otherPURE UUID: 45d499f4-1914-4208-9687-3fef6d611e39
dc.identifier.otherScopus: 68849127022
dc.identifier.otherORCID: /0000-0003-1106-4280/work/75445780
dc.identifier.urihttp://hdl.handle.net/2164/3037
dc.format.extent13
dc.language.isoeng
dc.relation.ispartofNottingham French Studiesen
dc.rightsCopyright © 2009. Edinburgh University Press.en
dc.subjectHT Communities. Classes. Racesen
dc.subjectN Visual arts (General) For photography, see TRen
dc.subjectP Language and Literatureen
dc.subject.lccHTen
dc.subject.lccN1en
dc.subject.lccPen
dc.titleStars of CCTV : Technology, visibility and identity in the work of Sophie Calle and Annie Ernauxen
dc.typeJournal articleen
dc.contributor.institutionUniversity of Aberdeen.Frenchen
dc.description.statusPeer revieweden
dc.description.versionPublisher PDFen
dc.identifier.doihttps://doi.org/10.3366/nfs.2009-2.007
dc.identifier.vol48en
dc.identifier.iss2en


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