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dc.contributor.authorGibert, Marie-Pierre
dc.contributor.authorKiwan, Nadia
dc.date.accessioned2017-08-05T23:01:23Z
dc.date.available2017-08-05T23:01:23Z
dc.date.issued2016
dc.identifier.citationGibert , M-P & Kiwan , N 2016 , ' Artistic Identities and Professional Strategies : Francophone Musicians in France and Britain ' , Modern and Contemporary France , vol. 24 , no. 3 , pp. 253-269 . https://doi.org/10.1080/09639489.2015.1127220en
dc.identifier.issn0963-9489
dc.identifier.otherPURE: 59723048
dc.identifier.otherPURE UUID: 23849a5c-65e3-46c2-9db6-61616b8e9cba
dc.identifier.otherScopus: 84958543035
dc.identifier.urihttp://hdl.handle.net/2164/9075
dc.descriptionFunding This work was supported by Arts and Humanities Research Council [grant number AH/E508628/1] and European Commission [grant number HPSE-CT-2002-00133].en
dc.format.extent17
dc.language.isoeng
dc.relation.ispartofModern and Contemporary Franceen
dc.rightsThis is an Accepted Manuscript of an article published by Taylor & Francis in Modern and Contemporary France on 05/02/2016 available online: http://wwww.tandfonline.com/10.1080/09639489.2015.1127220en
dc.subjectNorth African musiciansen
dc.subjectFranceen
dc.subjectUKen
dc.subjectmétissageen
dc.subjectfusion musicen
dc.subjectP Language and Literatureen
dc.subjectArts & Humanities Research Council (AHRC)en
dc.subjectAH/E508628/1en
dc.subject.lccPen
dc.titleArtistic Identities and Professional Strategies : Francophone Musicians in France and Britainen
dc.typeJournal articleen
dc.contributor.institutionUniversity of Aberdeen.Frenchen
dc.description.statusPeer revieweden
dc.description.versionPostprinten
dc.identifier.doihttps://doi.org/10.1080/09639489.2015.1127220
dc.date.embargoedUntil2017-07-01


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